Conferences, Lectures, and Symposia
2024
Panel Moderator – after screening of “Joseph Beuys at the Guggenhiem” with John Halpern and Carin Kuoni, Anthology Film Archives, New York, NY
2023
Observe, Converse, Embody, Preserve – Conducted a “walk shop” during “Walking Visions”, an International Encounters/Conference on Walking Art 2023; organized by Walking Arts & Local Communities, an artistic cooperation project held in the Prespes Watershed Lake Region, University of Western Macedonia, Greece
2019
Panel Moderator for #MeToo: Launching an Ethical Future; part of The Summit: Escape from Gravity hosted byPratt Institute, Center for Career & Professional Development Pratt Institute Campus, Brooklyn, New York
Juror – CEC Arts Link; for Artist & Curator resident applicants, New York, New York
2017
Visiting Critic, American College of Greece, senior art studios. Professor: Effie Halivopoulou
2016
Visiting Critic, for studio artists, Omi International Art Residency invited by Visiting Curator, Branko Franceschi, Ghent, NY
Moderator for Changemakers: a panel discussion on how creativity and social consciousness is enacted into professional careers Pratt Institute Center for Career & Professional Development Pratt Manhattan Center, New York, NY
2015
Guest Artist and Performance/Media Collaboration with Perry Bard and Social Engagement class from School of Visual Arts on a Walkabout around Barclay’s Stadium/Atlantic Yards Footprint, Brooklyn, New York
2014
Guest Lecturer, SUNY Plattsburg Fine Arts Department lecture series, hosted by professor, Drew Goerlitz
2010
Visiting Critic, New York University, graduate class on Interventionist Art: Tactics and Strategy, Instructed by Todd Ayoung
Panelist, among artists from Whirlwinds Exhibition and Performance Series moderated by Jane Rendell and Dr. Ana Araujo, in conjunction with Sexuate Subjects: Politics, Poetics, and Ethics; a Luce Irigaray Circle Conference, at UCL/Bloomsbury, London, UK.
Guest Lecturer, School of Visual Arts, undergraduate class on Performance; Professor: Jane Harris
2009
Visiting Critic, Pratt Institute, undergraduate class on Installation Art & New Media, Instructed by Lisa Bateman
2008
Panel Discussion Moderated by Anne Swartz, among colleague artists to discuss our work, the writing process for artists, and the legacy of Arlene Raven, in conjunction with exhibition, Sustaining Visions, at the Lemmerman Gallery, Jersey City University.
2004
Panelist, among colleague of artists from Structuring Perception exhibition moderated by Veronica Mijelshon, at Nurture Art Gallery
1994
Guest Lecturer, Pratt Institute, undergraduate class on Critical Issues; Professor: Corrine Robbins
1990
Guest Lecturer, Artist Student’s League, Advanced Painting; Professor: Rudolf Baranik
Collaborations
2018
Camel Collective – Participatory Reading of “Again…Lumpen Headache” (Fox no. 3, 1976), Cue Art Foundation, New York, NY
We Make America – painting signage for NYC Women’s March
2017
T.W.A.T. (The Woman’s Artist Team) – Collectively assembled Installations and performance works
2015
Labor Intensive – Summer Group Exhibition co-curated with Scott Vincent Campbell, Ronald Feldman Fine Arts, New York, New York
2014
Difference, Power, Organizing – a year long/monthly reading group co-organized with Arlen Austin focused on the works of Luce Irigaray and her contemporary peers. Founded in September 2013
2013
Time After Us – Core Performer among twenty in a 24- hour durational piece choreographed by Ernesto Pujol, St. Paul’s Chapel, Crossing the Line Festival by the French institute Alliance Française, New York, NY
2011
Dear Veteran – Associate Performer with UteHaus directed by Ernesto Pujol in a week-long residency in the Abramovic Studio, Location One, New York, NY
2006
I-Witness – Video Surveillance Crew documenting arrests at protests around New York City during the week of Republican National Convention during the summer of 2006.
2005
Disarming Images – a 3-channel video work addressing Dissent against the invasions of Iraq and Afghanistan. Participated in a small creative team in Artists Against the War, with Production. In multiple presentation venues within the New York metropolitan area
2004
Let the Eagle Soar/Blessed Are the Peace Makers – A composite video conceived and produced by the John Ashcroft/The Art MobCollective (co-edited with David Clarkson; Joe Barone, Andrew Coppola, Sarah Paulson and Emily Poole) in part of Face Off, a group exhibition at Ronald Feldman Fine Arts, New York, NY
2000
Pilot – Documentary “behind the scenes” Videographer, filming of “The Invention, Presentation and Filming of a Late Night Television Talk Show”, October 14, 2000, Exhibition by Christine Hill, Ronald Feldman Fine Arts, New York, NY
ILGO (Irish Gay and Lesbian Organization) – Video Surveillance Crew documenting activist annual attempt to march up 5th Avenue on St. Patrick’s Day in response to the exclusion by the AOH since 1994
1995
Paradigms of Interconnectedness – Installation on the distribution of labor and ownership in the garment industry. Conception and Production in collaboration with E. A. Racette for Group Exhibition, The Global Sweatshop, curated by Mary Anne Wadden, Art In General, New York, NY
1994
The Women’s Health Show – Participated in the Curatorial, Publicity, and Fundraising Committees for multi-venue exhibition. Coincided with National Conventions for both The Women’s Caucus of Art and the College Art Association, New York, NY
1993
Year In WAC –Collaboratively conceived and produced documentary chronicling WAC’s (Women’s Action Coalition) actions in its first year of existence (project uncompleted), among members of the WAC Video Production Committee
1992
Interaction – A multi-media collaborative installation created among a team of twenty women artists form WAC (Women’s Action Coalition) in part of a summer exhibition series organized by Creative Time, at the Brooklyn Bridge Anchorage, Brooklyn, NY
1992
Year in WAC – Collaborated in photo assemblage highlighting the first year of WAC’s actions into a double page spread in BOMB Magazine among members of the WAC photo Committee